Next CineSci6 screening: Robocop Sunday 8 January, 2:30pm
Date: Sometime in the future. All Detroit has a cancer, and the cancer is crime. A policeman killed in the line of battle becomes resurrected as a half-human, half-robot supercop. The indestructible law enforcer successfully wipes crime from the mean streets of Detroit, but his human side is tortured by his past, and he wants revenge on the criminals who killed him. The question is how important will be the glitch programmed into RoboCop by the security company that created him.
Bold, funny and violent, director Paul Verhoeven’s first US feature film is definitely not for the faint-hearted, but it mixes all-out destruction with an intelligent plot. After the screening we’ll be discussing scientific/moral issues surrounding future robotics technologies with Dr Peter Bentley from the Department of Computer Science, University College London, and a contributing editor to Wired UK.
So what better way to enter into 2012 than with this ’80s classic followed by drinks and discussion afterwards? We’ll even give you more than 20 seconds to comply.
Tickets are available here.
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Tagged Beer, Cinema, cinesci6, Clapham Picturehouse, classic film, cult film, Film, Movies, Paul Verhoeven, RoboCop, Science fiction
Next CineSci6 screening: Weird Science
Sunday 11 December, 14:30
Ah… Weird Science… The film that made nerds cool. Almost. Two geeks, hapless with members of the opposite sex, and desperate for peer approval, decide to create the ideal woman on their computer. Thanks to a bit of hocus-pocus and a convenient lightning storm, the horny young Frankensteins’ implausible plan comes to life, in the form of Lisa, as played by Kelly Le Brock.
Part sex object, part mother, part fairy godmother with extraordinary powers, Lisa turns her two creators’ lives around by making them popular with the cool kids and providing them with some much needed self-esteem. The path from to losers to confident men is far from smooth, though, especially when they get cocky and try to create another woman.
On 11 December, we’ll be re-living this John Hughes teen comedy in all its big-haired, shoulder-padded glory, and after the screening there will be a Q&A with Justin Hancock, trainer and consultant at Bish Training, a sex and relationships website for teenagers.
It’s an unapologetically ‘80s film complete with the obligatory “Valuable Lesson Learned” that was so of its time it is now back in fashion. So, does LeBrock still rock? Is the theme tune really by Oingo Boingo? Could that possibly be Robert Downey, Jr? Come and find out. As the film’s tagline says “It’s all in the name of science. Weird Science.”
Metropolis@CineSci6: Sunday 11 September, 3pm
Our new CineSci6 season of films at the Clapham Picture House starts with arguably the mother of all sci-fi films, Fritz Lang’s 1927 silent epic Metropolis.
The film’s visually spectacular depiction of a futuristic city as a dystopian nightmare created the blueprint for almost every sci-fi movie skyline, from Blade Runner to The Fifth Element, its imagery has influenced popular musicians from Pink Floyd to Madonna. It is said that Metropolis was Adolf Hitler’s favourite film, its political message interpreted by the Nazi party to be in support of their ideas.
Metropolis tells the tale of a fantastical mega-city with Art Deco skyscrapers, elevated train tracks and wealthy, carefree residents, built on the toil of an army of underground, oppressed workers, and a robot created by a mad scientist to destroy it by spreading discord among the workforce. Taking two years to shoot and bankrupting its producers (with a budget of $200m in today’s money), the film deals with issues of class and labour that still persist to this day.
We’ll be showing the restored, full-length “director’s version” of the movie, and we’re especially delighted that after the screening the novelist and science writer Simon Ings will discuss some of the main themes explored in Metropolis, such as the pull between utopia and dystopia, and the ideas from industrial psychology that informed the discussions of the time. So, come and enjoy a classic vision of the urban future in one of the most iconic films of all time.